International Platform of Doctoral Research in the Fields of Performing Arts and Cultural Management 19-28 June 2026
Programme
2026 Conference of the International Platform of Doctoral Research
in the Fields of Performing Arts and Cultural Management
The Language of the Soul: Creativity, Theatre & the Art of Being Human
HostLucian Blaga University of Sibiu
VenueAvram Iancu Hall
Faculty of Letters and Arts, 5-7 Victoriei Boulevard, Sibiu
Dates19-20 June 2026
19 June 202611:00
Opening Addresses
Sorin RaduRector of Lucian Blaga University in Sibiu
Andrei TerianVice-Rector of Lucian Blaga University of Sibiu
Mihaela HerciuDirector, Council for Doctoral Studies
Constantin ChiriacLucian Blaga University of Sibiu, President of Sibiu International Theatre Festival
Presentations
Octavian SaiuLucian Blaga University of Sibiu, Conference ChairIntroductory remarks
Ion M. TomușLucian Blaga University of SibiuConference Welcome and Context
Christopher GruitsUniversity of Pennsylvania / Penn Live ArtsBeyond the Platform: Artistic Process, Interiority, and Long-Term Curatorial Relationship
Elizabeth DoudFlorida State University / The Ringling Museum of ArtThe Mermaid Gaze: Ecoperformance as Method and Praxis for Reimagining Human and More-Than-Human Futures
Lynnea VillanovaAureola LLC & Curvilinear Productions LLCHolographic Dramaturgy: Narrative Coherence and the Uncontrollable Body in Biosensory Performance
Cosmin ChivuPace University’s Sands College of Performing ArtsThe Expanding Circle of Consciousness: The Actor’s Craft and the Synthetic Other
Sylvain DiazUniversité de StrasbourgA Shaken Humanity (Wajdi Mouawad, Journée de noces chez les Cromagnons, 1994-2025)
Diana NechitLucian Blaga University of SibiuThe Spectacle-Debate as Contemporary Tragedy: Milo Rau between Theatre, Justice, and Collective Catharsis
Robert Raponja & Katica ŠubarićJosip Juraj Strossmayer University of OsijekPerformance, Emotions, and Affect through Three Different Models of Acting
Mihai FusuAcademy of Music, Theatre and Fine Arts, ChișinăuThe Humanistic Dimension in Acting Education
Silvia-Alexandra BemI.L. Caragiale National University of Theatre and Film (UNATC), BucharestRewiring the Leader’s Emotional Brain Through Theatre
Paul-Eugen PristavuI.L. Caragiale National University of Theatre and Film (UNATC), BucharestMending the Fragmented Soul: Theatre’s Role in Post-Addiction Recovery
Tudor NicoriciBabeș-Bolyai University, Cluj-NapocaThe Sibiu International Theatre Festival Community’s Impact on Mental Well-Being
20 June 202613:00
Presentations
Richard JordanRichard Jordan Productions / Chicago Shakespeare TheaterWhats Past Is Prologue
Kalina StefanovaNational Academy for Theatre and Film Arts, SofiaSoul-Language Lessons with Peking Opera and More or Beyond the Alienation Effect
Sonia MurciaEscuela Superior de Arte Dramático de MurciaFederico Between the Teeth. The Documentary
Camelia LenartUniversity at Albany, SUNYWhen the Body Speaks: History, Text, and Movement in Martha Graham’s American Document and Alvin Ailey’s Revelations
Ladislau Cristian AndrișWest University of Timișoara, Faculty of Music and TheatreMusic as the Language of the Soul
Carmen StanciuI.L. Caragiale National University of Theatre and Film (UNATC), BucharestAgainst Perfect Imitation: Theatre and the Mystery of Being Human
Başak Şamlıoğlu HuvajIndependent ResearcherThe Soul of the Feet: An Anatolian Reading of Suzuki’s Method Through the Halay Ritual
Armando RotondiInstitute of the Arts BarcelonaListening to the Depths: Multiplicity and the Distributed Soul in “Colapesce (Trans-Fluence: The Bodies of Water)” Project
Oana Lup & Daniela LupLucian Blaga University of Sibiu & ESCP Business School, LondonAfter the Curtain Falls: Theatre Audiences, Reflective Wellbeing, and Civic Imagination
Ana Maria UrsuGeorge Enescu National University of Arts, IașiOn Stage, Beyond the Margins: Inclusion in Pippo Delbono’s Theater
Andreea RotaruGeorge Enescu National University of Arts, IașiPromoting Theatrical Creation, Between Virtue and Noise
Andrei C. ȘerbanLucian Blaga University of SibiuMedea Rewritten: Intermedial Perspectives in the Works of Milo Rau, Jean-René Lemoine, Joaquim Lafosse, Nancy Peña, and Blandine Le Callet
Alexandru-Florin RăduleaBabeș-Bolyai University, Cluj-Napoca, Doctoral School of Theatre and FilmBeyond the Aesthetic: The “Culture as Development” Approach in Post-Industrial Territories
Andreas MarkantonatosUniversity of the Peloponnese / INTER-BALKAN NETWORK OF CULTURE, ART, AND EDUCATIONThe Purificatory Ritual in Sophocles’ Oedipus at Colonus: Interpretation, Space and Cultural Memory
Varvara GeorgopoulouUniversity of the Peloponnese, School of Fine Arts, Department of Theatre Studies / INTER-BALKAN NETWORK OF CULTURE, ART, AND EDUCATIONFemale Characters in Aeschylus’ Oresteia and Their Stage Interpretation
Despina KosmopoulouHellenic Open University / INTER-BALKAN NETWORK OF CULTURE, ART, AND EDUCATIONContemporary Approach to Ancient Greek Tragedy: Observations, Shifts, and Problematizations
Ana StojanoskaFaculty of Dramatic Arts, Skopje / INTER-BALKAN NETWORK OF CULTURE, ART, AND EDUCATIONTheatre as a Space for Self-Expression: The Vision for Creating a Contemporary Theatre Festival
Mihaela BețiuI.L. Caragiale National University of Theatre and Film (UNATC), BucharestTheatre Techniques for Authentic Living: The Power of Vulnerability
GONG BaorongShanghai Theatre AcademyThe Importance of Creative Spirit for Traditional Performing Arts: A Perspective from Two Major Transformations in Modern Jing Ju (Beijing Opera)
GUI HanShandong University of ArtsThe Language of the Soul in a Lecture Hall: Courage from Theory, Return to the Human
Olga Garay-EnglishNational Latinx Theater Initiative / Fundación Internacional Teatro a MilThe National Latinx Theater Initiative: a Collective Response to Build Stabiliy and Sustainability Initiative
Mehdi GhiyaeiDiamond Schmitt ArchitectsDesigning with Ghosts: Substantial Movement and the Architecture of Becoming in Performing Arts Centers
Cristian IzzoInstitute of the Arts BarcelonaThe Body, the Space, the Voice: The Whole
Ioana Octavia VisalonDunărea de Jos University of GalațiEmbodied Knowledge of Actor’s Voice & Speech: A Journey From Unconscious Incompetence to Unconscious Competence Using the Fogg Behavioral Model
Ileana OcneanuGeorge Enescu National University of Arts, Iași, Faculty of TheatreBeing Puppet Malkovich: of Animate/Inanimate Bond